Masseduction – St. Vincent

An orchestra of electro-pop synths and hip hop beats, guitar slaying, domination, and sentiment. If Annie Clark didn’t before, she definitely owns you now. Economically, emotionally, socially, sexually, and even a tad bit affectionately, Annie Clark is just on a different wave length than most folks. Except this time, John Congleton (Explosions in the Sky, Angel Olsen) is partnered with the pop-wonderboy, Jack Antonoff (Lorde, Taylor Swift) behind the production board. And with a long list of collaborators (Jenny Lewis, Pino Palladino, Kamasi Washington) adding their two cents beside the powerhouse producing duo, St. Vincent’s latest release with Masseduction is undeniably the shredding glam-rock and fuzz-synth pop gem we’ve waited for. As if she didn’t prove it enough on 2014’s self-titled release, St. Vincent’s knack for morphing from a piano hall balladeer to a dominatrix-esque guitar virtuoso is like nothing seen before, and Masseduction plunges deep into both oddly disparate caricatures. Numbers like “Pills”, “Hang On Me” and “Los Ageless” explore a jungle of drum machines, breakdowns, and twisting guitar solos with the inner Prince and Bowie as the guiding light. But nothing tips the scale quite like the title track, “Masseduction”—a pumping backbeat, twisting and ripping guitar work, and even lyrics about manipulation like manhandling weapons. Seducing lyrics, destructive soundscapes, and domination—so about that part where Annie Clark owns you? After all, she does sing ‘I can’t turn off what turns me on’…

The verdict?

It’s all there. Guitar-laden melodies, driving backbeats, piano ballads, and an orator-esque style of lyrics and vocals, it’s all there.

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